Dick Cheney: STFU!

December 16, 2009 by mollyschoemann

Akie and I discussed Alan Grayson’s telling Dick Cheney to “STFU” in today’s Perpetual Post.

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Can Dick Cheney morph into liquid form and slither under doors and into our homes at night? Can he suck the souls of his victims out through their mouths, Dementor-style? Is there a reason to be afraid of him that I don’t yet understand? Because where others see a respected political figure who tells it like it is, all I see is an angry, cantankerous old man who used to wield enormous power and now wields enormous bitterness. He’s Walter Matthau’s evil twin; a Ralph Steadman portrait of a malevolent old grouch come to life.

Granted, Dick Cheney IS a little scary. He’s got the piercing death stare down—and he’s perfected the twisted, grimacing smirk of someone who would enjoy watching you march to the gallows. Apparently he’s also writing a book, which is sure to be an even fouler Necronomicon than ‘Going Rogue’. When you open that book, spirits will drift from the pages moaning ‘eeeeevil’. (Unlike the spirits which drift from Palin’s book, which simply wink and say ‘youuu betchaaa’.)

But he shouldn’t be scary! Not anymore! What he SHOULD be is out of the public’s eye. Why, now that he’s no longer directly involved in politics, does Cheney feel the need to pop up in every corner of the news like a bald, sneering whack-a-mole to make dire predictions and offer scathing, hate-filled words of warning to the current administration? There’s enough vindictiveness and negative energy in Washington without our former Vice President telling everyone that our current president is ‘projecting weakness to America’s enemies’. You know what I want to tell someone who goes around badmouthing the current administration, when he and his cronies left the country to them in the worst shape in decades? I want to tell them to Shut the F*** Up.

And someone finally did! Alan Grayson! And he wasn’t vaporized into a million pieces! His entire family was not found dead in their beds the next morning! Hopefully this is only the beginning of Dick Cheney being told to shut the f*** up in myriad ways by multiple people. I’m betting that there are plenty of others who have long wanted to tell him the same thing, but weren’t sure exactly how to. And maybe now they have an idea! So thank you, Alan Grayson, for telling Dick Cheney what he should be told every time he opens his ugly mouth. As Cheney himself once told Senator Leahy on the senate floor, “Go f*** yourself”! No, Cheney—YOU go F*** yourself! See—it feels good! Everybody try it!

James Franco: Performance Artist

December 15, 2009 by mollyschoemann

Ted, Akie and I took on James Franco’s General Hospital appearance in this week’s Perpetual Post.

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I was all set to take James Franco down a peg or two about his heavy-handed foray into the world of performance art, particularly since it’s coupled with a pet peeve of mine—an article he wrote for the Wall Street Journal discussing the ways in which performance art is ‘enjoying a moment of validation from the art world establishment’. The editorial, which EntertainmentWeekly.com snidely noted “probably got a B+ when it was first handed in as university coursework”, was peppered with references to other performance artists and their work, which he referred to as “trippy stuff.” Now, if I want to learn more about the history of performance art, James Franco and the Wall Street Journal are two of the very last sources I’m going to turn to. In fact, the idea of James Franco writing an editorial in the Wall Street Journal about performance art sounds suspiciously like performance art itself.

Still, I’m not made of stone. I went to Bard College, after all, which abounded with students who did silly, stupid and awesome things in the name of art. They experimented; they took risks, they threw themselves passionately into creative works. Even when they irritated me, which they mostly did, I generally respected their moxie, and in that regard I don’t want to discourage a mainstream Hollywood actor from bringing a little weirdness into the world. It’s quirky, it’s unexpected, it’s fearless. At least he’s not making a cookie cutter romantic comedy about going home to meet his girlfriend’s parents for a weekend only to discover that they’re dinosaur vampires. He’s trying new and different things, and for that, I applaud him.

That said, I do think that Franco’s project was poorly thought out, mainly because its premise is flawed. In his editorial, Franco explains that by starring in a 20 episode arc of General Hospital, “I disrupted the audience’s suspension of disbelief, because no matter how far I got into the character, I was going to be perceived as something that doesn’t belong to the incredibly stylized world of soap operas. Everyone watching would see an actor they recognized, a real person in a made-up world…My hope was for people to ask themselves if soap operas are really that far from entertainment that is considered critically legitimate.”

Now, Franco claims that he wants people to ask themselves if soap operas are more ‘critically legitimate’ than we think. Yet by engaging in this experiment he has already labeled soap operas as less valid than other, more ‘legitimate’ entertainment. By claiming that viewers would be disrupted from their soaps by seeing ‘an actor they recognized’ on their show, or ‘a real person in a made-up world’, Franco sets apart the made up world of General Hospital from the made up world of Spider Man 3. When Tom Cruise—also an internationally recognized celebrity—plays a secret agent in the Mission Impossible movies, he is also asking us to suspend our disbelief while watching a ‘real person in a made up world’. It’s called acting—just like they do in soap operas! Assuming that his presence on a soap may ‘disrupt’ those particular viewers is being pretty patronizing of those viewers.

Not only that, but soap opera viewers are used to having characters get replaced all the time by completely different actors and actresses. They’re used to watching a character die in a sky-diving accident and then reappear three seasons later haunted by an evil twin. Susan Lucci has been on All My Children for going on forty years now—and still looks exactly the same. Talk about disrupting your suspension of belief! Trust me, soap opera fans can roll with the punches.

Still, I know your heart is in the right place, James Franco. You’re into some neat stuff, and you’re enrolled in film school, and you’re thinking, and you’re pushing boundaries, and you have a heartstoppingly beautiful smile and rock-hard abs. I’m willing to go easy on you this time. Just don’t let it happen again—at the very least, the next time you feel like doing a performance piece, how about showing up on my doorstep wearing a leather kilt and holding a plate of butter? Honey, you can break my fourth wall any time.

Can I Borrow a Pen?

December 10, 2009 by mollyschoemann

Publishing at midnight tonight, Jillian, Akie and I wrote about the trials and tribulations of pen ownership and lending in this week’s Perpetual Post. I’ve also written a couple other pieces you can find over there in the last few weeks. Busy busy!

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I do understand that it is important to be prepared, which is why I carry eye drops, lip gloss, Advil and a packet of tissues in my purse at all times. And sometimes a pen. Or not. When it comes to pens, I belong to the school of thought believes that the next pen is always just around the corner. Because you see, stray pens can often be found lying around on desks and counters, just waiting to be temporarily used by people like me. And when that is not the case, it is not that difficult to borrow a pen, even from a stranger—which is not true for most other things. Try asking a stranger on the bus if you can borrow their eye drops and you’ll see what I mean.

Another exciting thing about borrowing a pen from someone is that a small percentage of the time they tell you to just keep it. And that’s exciting! It means that you have another pen that you can take home and leave lying around somewhere.

You pen-lovers know who I am, and you despise me. I’m the person who thoughtlessly wanders away with one of your prized pens. I’m the pen-shunner who never has one of my own and is always asking to borrow yours and after I use it it never writes quite right again. To all those who treasure your pens, keep them safe and are loathe to lend them out to people like me, I am sorry. I didn’t take your fancy pen on purpose (usually). I’m sorry I rewarded your generosity with theft.

A very dear friend of mine insists on carrying at least five pens, two mechanical pencils, one highlighter and a sharpie marker or two with him at all times. Even in his own home, which is already stuffed to the brim with jars of pens on every surface, he keeps his pockets fully stocked with pens and ready to go. On occasion we’ll find ourselves sitting on the couch and watching TV, and I’ll notice that a half dozen or so pens are falling halfway out of his pants pocket, so I’ll take them out for him and put them on the coffee table for safekeeping. This genuinely disturbs him. “Please don’t do that,” he’ll say. “I might forget to put them back in my pocket when I get up, and then I won’t have a pen when I need one.” (Or ten!)

I feel that this terrifying scenario is unlikely to happen to him. I’m fairly sure he keeps several pens strapped to his ankles and one lone sharpie duct-taped to the middle of his back in the case of a dire emergency. For his sake, I almost hope that someday I am proven wrong—for example, that someday a small army of people will gather around him and express their desperate, burning need to scribble, highlight, and otherwise record data on paper, all at the same time! At that point his seemingly overflowing reserves of writing implements will be joyfully distributed among the grateful, pen-less masses while I look on, agog. I know how much he will enjoy it if my comeuppance ever comes in this way. Until that day comes, though, I will mock him mercilessly, even as I borrow his pens. The world is a cruel place.

I Finished My Novel!

December 1, 2009 by mollyschoemann

I did it! 50,000 words in 30 days! And actually, it was more like 18 days, because I really didn’t start writing until the 12th!

Yay! NaNoWriMo!!

I want a t-shirt. Too bad all the sizes are sold out. Make more shirts, NaNoWriMo!

Man, writing is the best. I’m so glad I did this. It’s really made me remember why I love to write in the first place.

Hooray for Thanksgiving!

November 26, 2009 by mollyschoemann

Pumpkin Cheesecake? Check. Cranberry-Pecan Upside Down Cake? Check. Slightly inflated self-esteem from my sophisticated Thanksgiving dessert repertoire? Check.

Let’s just hope they travel well. We’ve got a 90 minute drive tomorrow with a big hairy dog.

Happy Thanksgiving everyone!

-Molly

PS: email me if you want either recipe, they both turned out very tasty!

Cake vs. Pie

November 26, 2009 by mollyschoemann

Just in time for Thanksgiving, the Perpetual Post plays host to a truly EPIC discussion of the ultimate battle between Pie and Cake. And we’ve got some strong opinions. Below is my pro-cake argument, but don’t miss the equally compelling arguments for pie, cheesecake, ice cream, and an amazing anti-cupcake rant you have to read to believe. Find it all here!

I bristle when someone says that I don’t appreciate pie just because I haven’t had a good pie.  It’s the same feeling I get when I’m being told by a sleazy co-worker to ‘relax’, because that’s why I’m not enjoying the unwanted backrub he’s giving me.   Don’t sneeze on my arm and tell me it’s raining.  I know what good pie is, and I know what good cake is, and I know that good cake is better than good pie any damn day.
Look, I’m not going to say that I dislike pie.  I enjoy pie!  Pie is adequately delicious.  I appreciate the fact that pie can be eaten when still warm from the oven, whereas cake generally needs to cool before it can be frosted and consumed.  A piping hot piece of pie with a scoop of ice cream on the side is delightful, and if you put it in front of me, I will eat it.  But if you put a piece of pie and a piece of cake in front of me, I will put the plate of cake on top of the plate of pie to get it ergonomically closer to my mouth while I eat it, and then wander off in search of more cake.  Why?  Because cake is a treat.  You never know when you’re going to have cake, and you never know when your next cake might be around the corner!  Cake is a celebration food, while pie is a signal that the meal is almost over, because hey, suddenly you’re eating pie, and don’t you wish it were cake?
I will reluctantly acknowledge that there is perhaps an unfair stigma attached to sub-par cake, as I think it is encountered much more often than lousy pie.  This is because too many of us have been subjected to tasteless, uninspired store-bought cakes at gatherings.  Office birthday parties, bake sales, baby showers—there are far too many types of events where people no longer take the time to bake a true Cake, and instead pick one up at the Food Lion on their way.    With their garish colors, overly-sweet icing and chemical taste, these cakes are not worthy of the name; they should be called something else.  Kakes, perhaps, or Fakes.   Because store-bought pies are even more terrible than store-bought cakes, the pies you encounter are more likely to be to be homemade—or at least, bakery-made, which means that their quality of ingredients will be higher, and you can taste the love baked into their sufficient crusts.
But oh, should you be lucky enough to stumble across a real, home-baked cake that has been made from scratch, mark my words, you will join me on team cake.

A Good Man’s Name

November 23, 2009 by mollyschoemann

Quick! I need a good man’s name for the guy in my novel.

It needs to be kind of old-fashioned, but also kind of rakish and sexy. Think Neo-Post Gothic Satirical Romance hero’s name. Also, like most men in that genre which I just made up, he’s kind of a bad guy too.

Names I’ve had so far but that just aren’t right:
William
Langdon
Carson
Alistair
Jasper

I’m on Jasper right now, and it’s not bad, but I feel like it could use more oomph. And I want to avoid a) names of boys I’ve known in my life, not that you guys know what those names are, and b) names that end in ’s’, because I’m never sure how the possessive works with those names. It just always looks weird.

Also, the heroine’s name is Clara. So if it goes well with that name, more the better.

No you don’t want to read my novel, trust me.

Thanx for your help!

LOL.

Boston and Public Transportation

November 19, 2009 by mollyschoemann

There’s a lively debate going on over at the Perpetual Post on Public Transit: NYC vs. DC vs. London vs. Boston. I hope I accurately represented Beantown in my portion of the discourse, below. Check out the others over on the Perpetual Post.

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Don’t get me wrong, I love Boston. It’s like my second, not-as-good home away from home. There’s great history there, and lots of character, and the letter “R” is pronounced “AH” by natives, who like nothing more than to glare at you from under their Red Sox caps. What’s not to like? Oh, right. The cold. And the high cost of living. And all those college students. And the godforsaken T.

Having lived in Boston for 5 years without a car, I think I can say with authority that in when it comes to public transportation, Boston is like Toon Town. First of all, the subway lines don’t have names, or even letters or numbers—they have COLORS. Could they possibly simplify that any further? Except then, to complicate it, some of the trains of one color line (the green line) branch off and go into vastly different directions. So, on the green line, you have the B line, the C line, the D line, and the E line. Could they have possibly picked four letters that didn’t sound exactly the same when announced in a noisy T station during rush hour? There are other letters in the alphabet that have different tones—like H! Or M! There are also other letters that don’t look very similar when they’re displayed on what looks like a defunct Lite-Brite on the front of a rapidly moving train. (And don’t get me started on Lite-Brites and Boston for that matter, thanks to a little show called Aqua Teen Hunger Force.) In any event, so you’re standing at Park Street (or PAHK Street) waiting for the E line, and here it comes along—but wait, is that an E or a B? And it’s on the C tracks?! And the doors on the side where you’re standing don’t seem to be opening! AND you paid $2 for this lousy T ride! What the hell!?

Still, you are given something of a sporting chance, particularly at Park Street, because the trains don’t move ALL that quickly. In fact, there was a recent incident in which a drunk girl fell onto the T tracks in Boston, right in the path of an oncoming train, and she was saved by heroic bystanders who waved at the oncoming train to get it to slow down and stop in time. And it did stop in time. So, we’re not talking about super fast transport here either.

Also, way the T system is set up, is like spokes radiating from a hub in the center (more or less) of the city. As a result, there are many situations in which you need to take the T all the way into that center hub in order to take it all the way out in another direction, to get not that far away from where you started from. So there are places that take 15 minutes to drive between, but they take an hour to take the T between. I lived in Somerville at one point, and my younger sister lived in Jamaica Plain, and it took us about an hour and a half to get to one another’s houses on the T. And Boston, don’t flatter yourself; you’re not that big.

There are also situations in which you could conceivably transfer between different 3 trains in order to go exactly two aboveground city blocks. Ridiculous!

And don’t forget the bus! Boston is also home to a fabulous bus network that has become more easily navigable in recent years, but at one point there was practically no way to find out where buses stopped without taking them. Bus schedules consisted of random-looking online .pdfs which were never shown in relation to actual streets. Since those early days, Boston wised up and began printing up actual bus schedules, and sometimes if you are lucky, you will actually find the schedule you are looking for in the display tree at your local T station. I don’t think they have ever managed to print them in a way that corresponds with demand—there were always nine thousand schedules available for the ubiquitous #1 bus, and I have NEVER seen a living schedule for the elusive #94.

So, the bus system in Boston has improved—but so has the price increased. When last I lived there a year ago, I regularly took an express bus that took me from outer Medford to Downtown Boston in about 20 minutes, and cost $3.50. That’s right, per ride. And no, this bus did not offer door-to-door service, free coffee, a complimentary newspaper or a lapdance. Sometimes it didn’t even offer a seat. And yet, $3.50?! I ask you. For three times that price, I could take a bus to NYC.

Lastly, let’s talk about hours of operation. Boston is a well-known college town with a fairly young demographic and a pretty active nightlife—and yet it’s stuck with a transportation system that keeps cranky old people hours. Trying to catch a T or a bus any time after midnight, you have about a 50% chance of being SOL and having to take a cab or walk. And in a city known for a negative wind chill factor in winter, walking is kind of risky sometimes. You could end up dead in a snowdrift between two parked cars.

Also, it is almost impossible to get a cab in many areas, because either a) there are NO cabs, b) no cabs will stop, or c) a drunken frat boy elbows you out of the way and takes your cab. And few things are more frustrating than stumbling out of the club after a night (well, half a night, since it’s only 1am) of dancing, wearing a miniskirt in fifteen degree weather, and stumbling to the curb to catch a quick taxi—only to be passed by dozens of empty cabs who refuse to even look at you because presumably they are off-duty. Why cabs choose to go off-duty late at night when they have become the only game in town, I will never know. In fact, I once hailed a cab and watched the cabbie stop his cab, light a cigarette, glance up at me, and then speed away. It was enough to make me weep and gnash my teeth with rage. And I’m no shrinking violet.

Boston, you’re a tough town. But I’ll always have a soft, angry place in my heart for you.

NaNoWriMo!

November 15, 2009 by mollyschoemann

As some of you may know, this month I am participating in National Novel Writing Month, or NaNoWriMo.

This means that I am attempting to write a 50,000 word novel during the month of November.

What!

I only learned about the existence of NaNoWriMo last Friday. And I only really started my novel…today. So far I have just under 2,000 words. But I’m sallying forth! It’s a really neat idea, and awesome website and what appears to be a kickass community of other crazy writers. It feels very exciting to be working on this giant project at the same time as all these other equally enthusiastic and terrified writers, and it makes you feel much less alone to know that everyone else is struggling toward the same goal as you, just in all sorts of different ways.

But what I like best about the idea of NaNoWriMo is that it gives you a hard and fast deadline and goal, and urges you to just WRITE WRITE WRITE and not worry about it. You can edit later, you can freak out later, you can criticize and judge every little sentence you write and word you choose…LATER! For now, just write write write.  While reminds me of how I used to feel when I was younger and the only thing I ever wanted to do was have peace and quiet and time alone at the computer so I could write and enjoy every minute of it.

So far it’s been pretty freaking awesome! But I might be a little scarce on the blog over the next 2 weeks. Now you know why! And if you’re doing NaNoWriMo too, look me up! My username is Couriernew.

Brighton Beach Memoirs

November 13, 2009 by mollyschoemann

Howard, Akie and I discussed the early closing of the lauded production in this week’s Perpetual Post.

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One shouldn’t shell out $80 a ticket for just any theater experience. I like to make sure I’m getting the most for my money. Before I consider buying tickets, I tend to ask myself certain questions—questions like, ‘are there puppets in this show?’ and ‘does the title contain the word ‘urine’?’ This is just one way to make sure that a Broadway show will be worth its weight in all the other shows you’ll need to Tivo while you spend an entire evening out of the house and not wearing sweatpants.

I’ve also found that if a show is at least three times removed from its primary incarnation– for instance, if it’s based on a videogame that was made into an action-figure that became a mini-series—you’re bound to at least know what you’re getting into. And if there’s one thing I’m fond of entertainment-wise, it’s the comfortingly familiar.

Celebrities I’ve seen on television and in the movies also help to add a sense of familiarity to a stage play. Fortunately the website Broadway.com allows you to filter your search for shows by the category, “Celebs on Stage”. Throwing Jude Law or James Gandolfini into a performance also gives me something to actually talk about at work the next day. Trust me, none of my coworkers want to hear about my evening spent watching Brighton Beach Memoirs when they can hear about how I saw Harry Potter’s magic wand in Equus.

Brighton Beach Memoirs in particularly is very family-unfriendly. It may be the story of a young boy who comes of age, but it’s certainly not for children, who will be unable to focus on the storyline and characters without a commercial break every few minutes. Plus none of the characters are cartoons or talking animals, and there are no straightforward and educational messages to be gleaned like, “don’t talk to strangers” and “brushing your teeth is fun”.

In fact, don’t even think about bringing your kids to a Broadway show if it doesn’t have performers dressed up like giraffes, gamboling through the audience on stilts, or if the title lacks the phrase ‘-on Ice’. By the time your kids stop whining about how you made them silence their cell phones, it will be intermission and they’ll be begging you for an $8 KitKat. If you thought movie theater refreshments were expensive, wait ‘til you get a load of the concession stand at the Gershwin. Plus, while most musicals have at least a few souvenir T-shirts and other merchandise, very few plays have gotten the memo that people don’t rely on their memories anymore—they rely on buying things that will remind them of experiences they’ve had. Did you even SEE Wicked if you didn’t leave the theater clutching an $18 witch hat keychain? I think not. Brighton Beach Memoirs, if I can’t buy a lunchbox with a picture of your cast on it, you’re wasting my time even more.